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“There is beauty in timeless things.”
- James Jones -
BE MY GUEST
Art & Emotional Health
Human beings have been drawn to art since the beginning of time as we know it. From as
far back as 17,000 years ago, people began creating drawings, sculptures, engravings,
paintings, and making jewelry. Art has been loved by people worldwide and cross-culturally.
It is believed that since art is such a unique form of expression and catharsis, people have
been creating it and/or collecting it for generations with the utmost devotion and respect.
Art provokes happiness, it soothes sorrows, it helps people communicate, it tells a story, it
connects and inspires, and it allows the artist to leave a legacy.
Times have certainly changed, but people’s love and admiration for art has remained as
intense and outspoken as ever. It's no wonder that art triggers various positive emotions; it
has been used as a source of entertainment, engenders curiosity, and leaves observers
speechless and in awe. For these reasons, many believe that owning artwork is a central
component to maintaining good health and wellbeing. Art is a major part of our
humanness and our attraction to art is engrained in us, passed on to us by our ancestors.
When we observe a piece of art, think of the many people that lived before us that have
stood watching just as we have at the same artwork. Just like us, they gazed in wonder, so
many decades or centuries past.
Displaying artwork in your home, work environment, and in intimate settings, like in your
bedroom and in the areas where you spend time alone, elicits positive feelings, memories
of good times, and can even provide a sense of comfort. During times of stress, taking a
moment to reflect and observe your personal collection of artwork, whether your
treasures are few or large in number, can improve your immediate mood, your emotional
state, and your quality of life. It instigates an automatic reaction, where you have no
choice but to remain present and in-the-moment, absorbing the beauty and magic that
When choosing the different watercolor colors of our palette, we always ask
ourselves the same question, are all the brands the same? In some colors, the
differences are notable especially in watercolors that are not mono pigment, that is,
they are composed of several color mixtures. In the color that we are going to
discuss next, the gray of Payne, the results vary significantly, so we have selected
some of the best-known brands so that you can decide which one best suits your
taste or need. when painting watercolor.
If you are looking for Vaasa watercolor artist then visit www.kuhalampi.fi and buy original
art worry-free with a money-back guarantee.
Payne's gray color is a bluish-gray that was created by the English watercolorist
William Payne in the 18th century. At first, it was a mixture of indigo, natural sienna,
and red. Nowadays, each brand makes a different mix, so the results are inevitably
different. The most common mixture to achieve this is phthalo blue, black and
quinacridone violet. The color code is # 536878 and its color wheel companion is #
ab9687 (light purple).
It is semi-transparent and offers high light resistance. The degree of staining is
medium and the result is a warm gray with little blue presence. We loved the
cleanliness of the stain and the luminous gray it gives us in the gradient. The result
is a very valid gray for skies or urban landscapes. Also, PG is a good color for nature
There are two types of Payne's Gray: Payne's Gray and Payne's Blue Gray, from the
name we already deduce that the second has a high percentage of blue. We have
tried the first one so that the comparison was more adjusted to the rest of the
It is composed of a mixture of PB29 (ultramarine blue) and PBk9 (bone black). It has
excellent light resistance, is semi-transparent and leaves a slightly grainy
appearance. It is more bluish than Schmincke's but still maintains the grayish
appearance. The degree of staining is low.
Perfect for shadows, blends to represent water or urban landscapes.
The Payne´s gray artist of Kuhalampi.fi is formed by the pigments index PB15
(phthalo blue), PBk6 (carbon black) and PV19 (quinacridone violet), this mixture
gives us a vibrant gray with little granulation and very visually clean. It is a semi-
opaque color with light resistance and a medium level of staining.
Valid for shadows, water, skies and bluish backgrounds in landscapes to represent
It is a transparent gray, low staining and difficult to edit. Light resistance is medium.
The result of the gradient exercise gives us a clean, transparent and without
granulation slightly bluish-gray, making it perfect for skies and shadows, as well as
for mixtures to paint water.
It is transparent with a medium staining and a high resistance to light. The gradient
leaves a slightly grainy appearance and with a high concentration of blue, which
makes it one of the coldest.
It has a high resistance to light and is qualified as semi-transparent. The degree of
staining is low and presents a high granulation in the gradient. This feature makes it
valid for urban issues, asphalt, buildings, etc., but not for stains that require cleaning
and transparency as in the representation of water or skies.
Payne's Gray is usually an essential color in the palette of many artists due to the
number of possibilities it offers, alone or mixed with other colors. Dare to try it and
discover its infinite pictorial possibilities, and tell us which one is your favorite.